PREVIOUS SCHOLARLY SOURCES:CD Companion Introduction: Power and Responsibility: Converted to Streaming between Machines
Van Belle, Guy. “CD Companion Introduction: Power and Responsibility: Converted to Streaming between Machines.” Leonardo Music Journal, vol. 9, 1999, pp. 123–126. JSTOR, JSTOR, www.jstor.org/stable/1513491.
Summary: This article takes a 3rd person perspectives on the music industry, particularly between artists and consumers. This article was released 1999, so it focused a lot on the fairly new technology at the time, CDs. This would be useful for my topic because it can show how music has grown to streaming. One of the main point that caught my attention was how the author wrote that artists have to potential to be the bridge between technology and its application.
The Economics of Music
TSCHMUCK, PETER. The Economics of Music. Agenda Publishing, 2017. JSTOR, www.jstor.org/stable/j.ctv5cg90z.
Summary: This book was released in 2017, so it will include recent events regarding music and technology. I didn't choose specific chapters because I believe the book will have certain points that I want to make throughout the book. It provides a brief economic history of the music business, which will be useful when I mention how the business has grown throughout the years. The book mentions multiple topics, such as the music economy, sound recording, music labour markets, and the digital music business, which is big topic in this subject.
Online Music Consumption in Today's Technological Context: Putting the Influence of Ethics in Perspective
Weijters, Bert, et al. “Online Music Consumption in Today's Technological Context: Putting the Influence of Ethics in Perspective.” Journal of Business Ethics, vol. 124, no. 4, 2014, pp. 537–550., www.jstor.org/stable/24033176.
Summary: This paper is based off of a literature review and a quantitative study regarding streaming, illegal downloading, and consumers' preferences. The preferences in this study are major for me because, in this subject that I am researching, it would be useful to see what the consumers are thinking and what they desire.
UPDATED:
Crowds, Clouds, and Idols: New Dynamics and Old Agendas in the Music Industry, 1982 - 2012
Fairchild, Charles. “Crowds, Clouds, and Idols: New Dynamics and Old Agendas in the Music Industry, 1982-2012.” American Music, vol. 33, no. 4, 2015, pp. 441–476. JSTOR, JSTOR, www.jstor.org/stable/10.5406/americanmusic.33.4.0441.
The Ends of Music History, or: The Old Masters in the Supermarket of Cultures
Berger, Karol. “The Ends of Music History, or: The Old Masters in the Supermarket of Cultures.” The Journal of Musicology, vol. 31, no. 2, 2014, pp. 186–198. JSTOR, JSTOR, www.jstor.org/stable/10.1525/jm.2014.31.2.186.
Music Wars
Pohlmann, Ken C. “Music Wars.” Scientific American, vol. 283, no. 5, 2000, pp. 57–60. JSTOR, JSTOR, www.jstor.org/stable/26058932.
Measuring the Effect of the File Sharing on Music Purchases
Zentner, Alejandro. “Measuring the Effect of File Sharing on Music Purchases.” The Journal of Law & Economics, vol. 49, no. 1, 2006, pp. 63–90. JSTOR, JSTOR, www.jstor.org/stable/10.1086/501082.
The Future of Music Careers
Millar, Michael W. “The Future of Music Careers.” College Music Symposium, 49/50, 2009, pp. 54–58. JSTOR, JSTOR, www.jstor.org/stable/41225230.
Music and the Internet
Jones, Steve. “Music and the Internet.” Popular Music, vol. 19, no. 2, 2000, pp. 217–230. JSTOR, JSTOR, www.jstor.org/stable/853669.
Dollars for Downloads: Ruling Backs Music Companies' Rights to Royalties for Webcast 'Performances'
YODAIKEN, RUTH. “Dollars for Downloads: Ruling Backs Music Companies' Rights to Royalties for Webcast 'Performances'.” ABA Journal, vol. 87, no. 12, 2001, pp. 70–70. JSTOR, JSTOR, www.jstor.org/stable/27841916.
Music in Times of Economic Distress
Botstein, Leon. “Music in Times of Economic Distress.” The Musical Quarterly, vol. 90, no. 2, 2007, pp. 167–175. JSTOR, JSTOR, www.jstor.org/stable/25172867.
How Digitization has Created a Golden Age of Music, Movies, Books, and Television
Waldfogel, Joel. “How Digitization Has Created a Golden Age of Music, Movies, Books, and Television.” The Journal of Economic Perspectives, vol. 31, no. 3, 2017, pp. 195–214. JSTOR, JSTOR, www.jstor.org/stable/44321286.
Company Profile: Pitchfork: Birth of an Indie Music Mega-Brand
Sinkovich, Justin, et al. “Company Profile: Pitchfork: Birth of an Indie Music Mega-Brand.” International Journal of Arts Management, vol. 15, no. 2, 2013, pp. 73–81. JSTOR, JSTOR, www.jstor.org/stable/24587114.
WANG, JING. “Hello Moto: Youth Culture and Music Marketing.” Brand New China, Harvard University Press, Cambridge, Massachusetts; London, England, 2008, pp. 211–246. JSTOR, www.jstor.org/stable/j.ctt13x0h7f.10.
Swanson, K. (2013). A case study on spotify: Exploring perceptions of the music streaming service. MEIEA Journal, 13(1), 207-230. Retrieved from https://search.proquest.com/docview/1519295625?accountid=14496
KARP, HANNAH. “Streaming Sidesteps The Labels: Spotify Is Licensing Music Directly from Unsigned Acts and Managers, While Apple Music Backs Its Own Artists. Will Indie Labels Survive?” Billboard, vol. 130, no. 15, June 2018, pp. 13–14. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=130697279&site=ehost-live.
PAGE, WILL, and ROB HARVEY. “The Economics Of Getting Heard: While Labels and Artists Battle on the Charts, Competition for Attention Becomes an Issue.” Billboard, vol. 129, no. 24, Oct. 2017, p. 38. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=126106889&site=ehost-live.
Bromwich, J. (2014, Jul 07). Independent music labels and young artists offer streaming, on their terms. New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/1941481799?accountid=14496
SISARIO, B. (2013, Jan 29). As music streaming grows, artists' royalties slow to a trickle. New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/1815055812?accountid=14496
Harding, Cortney. “Deal Or No Deal?” Billboard, vol. 121, no. 21, May 2009, p. 11. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=40121459&site=ehost-live.
Peoples, Glenn. “Digital Music Myths.” Billboard, vol. 124, no. 30, Sept. 2012, p. 8. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=79390262&site=ehost-live
RYS, DAN. “Spotify Lets Artists Upload Music Directly to Platform.” Billboard, vol. 130, no. 22, Sept. 2018, p. 24. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=132186909&site=ehost-live.
Raine, Michael. “CAN INDIE ARTISTS GET ON Spotify Playlists?” Canadian Musician, vol. 39, no. 5, Sept. 2017, pp. 10–11. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=125138185&site=ehost-live.
Knopper, Steve. “Beats Enters Streaming Wars.” Rolling Stone, no. 1202, Feb. 2014, p. 15. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=94136234&site=ehost-live.
Kim, Jiwhan, et al. “What Do Consumers Prefer for Music Streaming Services?: A Comparative Study between Korea and US.” Telecommunications Policy, vol. 41, no. 4, May 2017, pp. 263–272. EBSCOhost, doi:10.1016/j.telpol.2017.01.008
Weiss, Todd R. “Taylor Swift Takes on Apple and Wins on Musician Payments.” EWeek, June 2015, p. 1. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=109363712&site=ehost-live.
Mall, Andrew. “Concentration, Diversity, and Consequences: Privileging Independent over Major Record Labels.” Popular Music, vol. 37, no. 3, 2018, pp. 444–465., doi:10.1017/S0261143018000375., https://www.cambridge.org/core/services/aop-cambridge-core/content/view/64BE0FB2F8233B7BF5A51F3F127F94A6/S0261143018000375a.pdf/concentration_diversity_and_consequences_privileging_independent_over_major_record_labels.pdf
Rudd, Dean. “What To Look For In An Independent Record Label.” Canadian Musician, vol. 25, no. 4, July 2003, p. 12. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=10434290&site=ehost-live.
Rudd, Dean. “What to Look for in an Independent Record Label Part II.” Canadian Musician, vol. 25, no. 5, Sept. 2003, p. 13. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=10983374&site=ehost-live.
Morris, Chris. “A History of Independent Labels.” Billboard, vol. 106, no. 44, Nov. 1994, p. 131. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9411161869&site=ehost-live.
GALE, ALEX, and MICHAELANGELO MATOS. “The Electronic Takeover Down Under.” Billboard, vol. 127, no. 15, May 2015, pp. 21–22. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=102815823&site=ehost-live.
GOOGLE SCHOLAR SOURCES:
Datta, Hannes, George Knox, and Bart J. Bronnenberg. "Changing Their Tune: How Consumers' Adoption of Online Streaming Affects Music Consumption and Discovery.", https://www.researchgate.net/profile/Hannes_Datta/publication/293753759_Changing_Their_Tune_How_Consumers'_Adoption_of_Online_Streaming_Affects_Music_Consumption_and_Discovery/links/591201ef4585152e1992844c/Changing-Their-Tune-How-Consumers-Adoption-of-Online-Streaming-Affects-Music-Consumption-and-Discovery.pdf
Sanitnarathorn, Pannawit. "An Analysis of Music Fan Towards Music Streaming Purchase Intention of Thailand's Music Industry.", https://files.eric.ed.gov/fulltext/EJ1175643.pdf
Huang, Yu-An, et al. "I worship, so I download? Idol worship, music purchase and piracy by young consumers in Taiwan." Asia Pacific Journal of Marketing and Logistics 27.1 (2015): 99-126., https://espace.curtin.edu.au/bitstream/handle/20.500.11937/10097/234521_234521.pdf?sequence=2&isAllowed=y
Marshall, Lee. "‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties." Creative Industries Journal 8.2 (2015): 177-189., https://www.tandfonline.com/doi/full/10.1080/17510694.2015.1096618?scroll=top&needAccess=true
UPDATED BOOKS FROM LIBRARIES:
The Future of the Music Business: How to Succeed with the New Digital Technologies: A Guide for Artists and Entrepreneurs by Steve Gordon
Call No. —> ML3790 .G67 2008
This Business of Music Marketing and Promotion by Tad Lathrop
Call No. —> ML3790 .L37 2003
Web Marketing for the Music Business by Thomas W. Hutchison
Call No. —> ML3790 .H986 2008
Marketing in the Music Industry by Charles W. Hall
Call No. —> ML3790 .H325 2000
Start & Run Your Own Record Label: Winning Marketing Strategies Strategies for Today’s Music Industry by Daylle Deanna Schwartz
Call No. —> ML3790 .S37 2009
The Recording Industry by Geoffrey P. Hull
Call No. —> ML3790 .H84 2004
AND MANY MORE THAT I JUST TOOK A PICTURE OF THE SHELF TO REMIND ME TO GO BACK THERE AND READ THEM
Digital Searches for Primary Sources (PREVIOUS)
Title: KLOK Radio Personality Frank Darien, Jr. On AirDate: 1945/1955Collection: Del Carlo (Arnold) Photograph CollectionOwning Institution: Sourisseau Academy for State and Local HistorySource: CalisphereDate of access: October 18 2018 04:35Permalink: https://calisphere.org/item/ark:/13030/kt9v19s2hx/The first image shows a radio personality person with vinyl record turntables, playing music to his audience over the radio. I want to use this image to show how people in the 1950s were listening to music, when they didn't have smartphones or their laptops to stream music.
Title: N.H. man makes treble clef sign look even more like $Date: 1953Collection: Los Angeles Public Library Photo CollectionOwning Institution: Los Angeles Public LibrarySource: CalisphereDate of access: October 18 2018 06:07Permalink: https://calisphere.org/item/2cc643168abbb7d80ed10eac3213bad8/This image shows a man recording a disc using two banjos, two guitars, two ukes, a mandolin, and bass fiddle. This image will be used to point out how artists used to create music and how artists are using synthesizer to create music.
Title: Graflex Record PlayerDate: 1961/04/12Collection: Center for Sacramento History Photo CollectionOwning Institution: Center for Sacramento HistorySource: CalisphereDate of access: October 18 2018 04:49Permalink: https://calisphere.org/item/ac409e81abcfa188551764f0653fe493/This image is just a simple record player, but it shows a lot because I want to show how convenient streaming is nowadays.
UPDATE on MULTIMODAL SOURCES:
https://www.ted.com/talks/jack_conte_how_artists_can_finally_get_paid_in_the_digital_age?language=en#t-609941
https://www.ted.com/talks/david_pogue_on_the_music_wars/transcript?language=en#t-229531
https://www.ted.com/talks/margaret_stewart_how_youtube_thinks_about_copyright/transcript?language=en
https://www.ted.com/talks/larry_lessig_says_the_law_is_strangling_creativity/transcript
COMPILATION OF ONLINE SOURCES:
https://www.wired.com/2011/10/ff_music/
https://www.forbes.com/sites/bernardmarr/2015/12/23/big-data-taylor-swift-and-the-future-of-the-music-industry/#b377e1b71575
https://www.hypebot.com/hypebot/2015/08/the-future-of-music-a-manifesto-for-executives-creatives-and-artists.html
https://www.wired.com/2016/09/future-of-vr-music/
https://www.bigissue.com/culture/music/stream-of-consciousness-a-decade-later-spotify-has-changed-everything/
http://dancemusicnw.com/spotify-new-upload-feature-helps-artists/
https://www.youtube.com/watch?v=QJPhOKIIwnE
https://www.dailynews.com/2018/10/01/las-m-a-r-s-festival-adds-quantum-physics-to-its-mix-of-music-art-and-technology/ https://www.dailynews.com/2017/04/10/las-inaugural-mars-festival-combines-arts-music-and-beer/
https://www.ted.com/talks/pierre_barreau_how_ai_could_compose_a_personalized_soundtrack_to_your_life?language=en
https://www.theodysseyonline.com/edm-the-ever-evolving-genre —> How EDM Has Changed Over the Years
https://www.huffingtonpost.com/reyne-haines/the-ever-changing-face-of_b_5698313.htmlv —> The Ever Changing Face of the Music Industry
https://www.techradar.com/news/is-music-tech-short-changing-songwriters —> Is Music Tech Short-Changing Songwriters?
https://www.youtube.com/results?search_query=digital+marketing+for+music+industry —> Search: Digital Marketing for Music Industry
https://www.youtube.com/watch?v=aqz3DaisBz8 —> The Music Industry and the Digital Revolution
https://www.adweek.com/brand-marketing/how-the-new-era-of-marketing-is-shepherded-in-as-digital-and-ooh-collide/ —> How the New Era of Marketing is Shepherded In as Digital and OOH Collide
https://www.musicbusinessworldwide.com/jobs/amazon-music-head-of-marketing-digital-music-jp/ —> Amazon Music - Head of Marketing, Digital Music (JP)
https://www.musicbusinessworldwide.com/category/news/ —> Website regarding Music and Business
https://www.economist.com/topics/music-industry
http://www.dailycal.org/2018/02/21/isaac-oh-golden-records/
http://futureofmusic.org/article/economics-recorded-music
http://www.rollingstone.com/music/music-news/the-new-economics-of-the-music-industry-234924/
http://www.businessinsider.com/heres-how-much-musicians-make-online-from-spotify-itunes-and-youtube-2015-4
http://www.forbes.com/sites/realspin/2016/12/14/a-music-economy-that-works-for-everyone/#1da085a16fdb
http://www.businessinsider.com/how-do-musicians-make-money-2018-10
http://www.businessinsider.com/musicians-received-12-percent-43-billion-generated-by-music-industry-study-2018-8
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